"Tina Davidson's new collection of works, entitled I Hear the Mermaids Singing grapples with profundity...While listening to Davidson's compositions I sense that incandescent glimmer--the fleeting 'why?' of music. Davidson knows why - you can hear it. Her music is primal. Ostinati knock calmly at the door and thirds resound like emergency vehicle horns sans the usual impatience and anger. What remains are delightful sounds - sounds that make us human and resound in the universe. If these words sound lofty, it is the result of listening to this otherwordly music."

IAWM Journal, 1997

• Tina Davidson: I Hear the Mermaids Singing

• Cassatt; The Cassatt String Quartet

• Bennington Cello Quartet
  includes Dark Child Sings for four cellos.
  Opus One, #148.
  
  
• The Sax Ascendant
  includes Transparent Victims, Marshall Taylor, multiple saxophones.
  innova label.
  
  
• New Dimensions; Music by Women
  includes 7 Macabre Songs for Piano, Paula Ennis-Dwyer, piano.
  Coronet LPS 3206, Coronet Recording Company, 1986.
  
  
• Here and Now
  includes To Understand Weeping for soprano and pre-recorded playback.
  Barbara Noska, soprano of the Relâche Ensemble.
  Calisto Label, #1, 1983.
  
  
• Everything Going Out
  Macabre Songs for piano.
  Mikrokosmik Label, #3, 1981.